My practice investigates the subtle, the invisible, and the nearly imperceptible, using light and intentional sparseness to open spacious perceptual and metaphysical experiences. I work through what I call minimalismo luminoso, a language that traces the fragile boundaries of perception and explores how light, time, and disappearance construct our experience of the world. Across photography, drawing, installation, and sound, I develop works that operate at the threshold of visibility: spaces where an image holds itself in a state of near-vanishing, and where a faint line of light can carry emotional, temporal, or metaphysical weight.

Using minimal marks, brief exposures, and time-based variations, my process allows the work to emerge slowly, as an atmosphere more than an image. I am drawn to the margins of representation -the moment just before an image appears or after it begins to fade- where meaning becomes atmospheric rather than literal. In these intervals, absence becomes active, and the viewer becomes a participant in the construction of the image. I seek to slow the mechanisms of seeing, inviting a slower, more attentive mode of looking in which perception becomes conscious, fragile, close; where the minimal becomes unexpectedly abundant.

Influenced by phenomenology, optics, and the metaphysics of the invisible, I conceive light not as representation but as matter: a threshold that reveals, fails, intensifies, or dissolves. My work sits within the lineage of minimalism and contemporary luminous abstraction, a space of dense interior luminosity and quiet emotional resonance. Luminous minimalism empowers me to explore the invisible forces that shape perception - the rhythms, traces, and vibrations that remain when representation dissolves. My practice proposes that luminosity is not something added to an image but something revealed when much is taken away. In the faint, the subtle, and the almost-nothing, spaces of presence, wonder, curiosity, and quiet revelation open up.